|
Venetian Grisaille
|
Venetian Grisaille PaintingThe Old Master Venetian method of painting in gray tone values was developed in Venice, Italy, at the beginning of the Renaissance and was perfected by Titian. Sometimes in Southern Italy, the portrait masters used a combination of green and red to create neutral grays, allowing the warm pinkish gray tones to dominate the sunlit areas, and the cooler greenish gray tones to find their place in the shaded areas of flesh. This was called verdaccio (greenish gray). Since Caucasian flesh contains both cool and warm tones, this process worked like a charm! The verdaccio underpainting was brought to life through velaturas (veils of color) of pinker fleshy tones. The contrast yielded exquisite results! |
Copyright © 1998 -2010,
Linda L. Coulter All rights, title and interest, including all
copyrights, trademarks and other intellectual property rights posted on this web
site belong to us. Moreover, the names, images and graphics included on
this website that identify our professional physical images, art works, art
products, art educational products and services are also our legal intellectual
property. Nothing contained in this website shall be construed as
bestowing any privilege, or offering any right, expressly or by implication,
under any of our legal intellectual property rights. Absolutely no portion
of this website may be reproduced, republished, duplicated in any way (digital,
electronic or otherwise), transmitted in any way, nor distributed in any form
whatsoever by any means, at any time. If you have a request, please contact us
in writing. Thank you. |